 Kenny Larkin @ Flex - Review, 03.02.2007 |
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Kalendereintrag
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Datum des Ereignisses: 3. 2. 2007 (Einmaliges Ereignis) |
| Kenny Larkin (Art of Dance) @ Flex | |
| LineUP |
Kenny Larkin (Art of Dance Detroit/Los Angeles) Rudi Roschitz (shellbeach/ wien) Gerwin Kante Chris Esycho (Can`t mix won`t mix) |
| Specials/Infos |
- Gewinnspiel (siehe unten) - Vvk @ Jugendinfo Wien (1799) |
| Entry | VVK €10.-/ 22:30-23:00 €8.-/ €10.- bis Mitternacht/ €13.- danach |
| Styles | k.A. |
| Location |
Flex U2 - U4 Schottenring Donaukanal, Abgang Augartenbrücke 1010 Wien |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer |
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| sonstiges |
Gewinnspiel: 2 x 2 Karten Kenny Larkin on myspace Flex Kenny Larkin is one of the chief innovators of Detroit's so called 'second wave' of techno producers. He began his music career in 1990. After serving two years in the U.S. Air Force repairing computers, Larkin returned to Detroit to pursue stand up comedy. During his pursuit, he, along with other Detroit club goers, witnessed the birth of a new genre of music at local clubs. What came to be called „Detroit Techno,‰ thumped in clubs like; The City Club, The Majestic Theatre, The Shelter, and the legendary Music Institute. The latter considered home base for the bumping, sultry, emotive, yet almost romantic style of club music that rose out of urban plight, desperation, and decay. Larkin mostly frequented The Shelter, were he soon hooked up with Richie Hawtin, who was one of the club‚s resident dj‚s, and the two became good friends. While driving around the city at night, they stumbled onto a local Detroit radio mix show. The dj creating the mind-blowing mixes that changed both of their lives was none other Derrick May, or „Mayday,‰ his call-name on the radio. May along with others, inspired both Larkin, and Hawtin to pursue this new form of music. When Hawtin formed +8 with John Acquaviva, Larkin released his first two singles. But, it wasn‚t until 1992, when he founded his own label, Art of Dance, that he came into his signature sound. Under his „Dark Comedy‰ moniker, Larkin created ŒWar of the Worlds,‚ which went on to become a seminal dance floor techno classic for Derrick May‚s Transmat Records, of which Larkin licensed the project to. After contributing the exquisitely beautiful and sublime tracks ŒSerena X‚ (under the name Yennek) for the compilation Panic in Detroit and 'Tedra' on the hugely innovative Virtual Sex (Buzz) compilation, Kenny was pushed to the forefront of techno's soulful elite. In 1994, Larkin shrewdly carved out his own classic sound when he signed to Warp Records, and released his first album, entitled Azimuth. The album was hailed by European and U.S. press as one of the most original techno albums to date. A few quotes: „Azimuth is one of the most imaginative and original techno albums yet.‰ MUSIC WEEK „Delightful, pure Detroit-style techno. Melodic, emotive and, like so much great U.S. techno, almost jazz-like in places. Larkin is a man with his finger on the fast forward button of music‚s future.‰ SELECT „A masterpiece. This LP of intelligent Detroit techno is an upcoming classic.‰ STREETSOUNDS Street Sound magazine later voted Azimuth as one of the top 50 Techno CD‚s of all time. Larkin‚s music career seemed very bright, but tragedy struck when on November 17, 1994, he almost lost his life after being shot in his suburban Detroit home by two unknown assailants. Luckily, the bullet missed vital organs, but it sliced through his lower abdomen. After 12 hours of surgery, Larkin was in critical condition, but pulled through. Hospitalised only for 6 days, Larkin began touring just two weeks after he was discharged from the hospital to support his new album, Metaphor, which was released on R&S Records in February of 1995. The release earned him more accolades as a leader in electronic music. "This is electronic soul music, full of human feeling and warmth" MixMag "A juxtaposition of polished classic Detroit and quirky jazz-inspired innovation". At times very minimal and ambient, other times well informed by house, Kenny's warm dance beats hit in just the right places at just the right time.‰ I-D Metaphor was nominated for best electronic album of the year in Keyboard Magazine. In his hometown, Metro Times voted Larkin ŒBest Techno Artist of The Year‚ at it‚s yearly music awards. Since the release of Azimuth, Larkin has travelled over 2 million miles around the globe, dj‚ing and playing live at the biggest Festivals in Europe, some which had him doing his electronic performance in front of as many as 25,000 fans. In addition to his own productions, Larkin lent his melodic sensibilities to various artists. He has done remix work for Carl Craig, Inner City, Charm Farm, L.A. Synthesis, and most notably, Sade. Although a bootleg, the remix of ŒSurrender‚ sold 10,000 in 3 weeks. Apparently, Sade wasn‚t amused. Her attorney contacted Larkin and demanded they stop selling the single, or face litigation. Larkin agreed, and stopped distributing the single. Larkin‚s remix for Charm Farm entitled, ŒSuperstar‚, shot up the charts in France, helping establish the band in Europe in the dance scene. In 1997, Larkin released his first LP under his ŒDark Comedy‚ moniker. More striped down and minimal than his first two LP offerings, the project showed a darker side to his persona. ŒThe Bar‚, which was released as a single, was a favorite among techno‚s elite dj‚s, because of it‚s frenetic beats, and purposely rough, off edits. After the release of this album, Larkin took a break from recording to keep up with his hectic dj schedule. Unfortunately, months turned to years. And he found himself losing motivation to releasing techno music. He explained when interviewed, „there‚s so much crap out being called techno, that I‚ve lost the desire to be associated with it anymore.‰ For the next few years, Larkin was content with dj‚ing, until 2001. That‚s when he decided to go back to his first love, stand up comedy. As a result of that decision, Larkin gave up the Œstate of the art‚ studio he built in the suburbs of Detroit, and moved to LA to pursue comedy full time. Although definitely not a seasoned professional yet, Larkin is performing his comedy in the biggest clubs in LA, the Laugh Factory being his preferred spot, which is paying off. He regularly showcases his act here, and is very close to securing a prized Œregular‚ spot at this this top club. In 2002, after getting his comedy career off the ground, Larkin‚s desire to record music returned. With the new change of scenery and inspiration, Larkin began to record two albums at the same time. These would be his first projects in almost 8 years. The first completed album, Narcissist, was picked up by Peacefrog. Released in April, 2004, Larkin did what he always tried to do, which is go against the established perception of what techno should be. His signature sound still remains after such a long hiatus. Larkin has put focus more on mood, and melodies, instead of harsh, abrasive, non-melodic material that has defined techno for the last few years. The second album Larkin completed late 2004, was under his Dark Comedy alias. This album took a huge departure from what others have come to expect from him. Instead of the stripped down production of his Œ7 Days‚ outing, he decided to go in a totally different direction. „I felt it was imperative that I take my music in a totally different direction. There was nothing else I could do with Œtechno‚ to take my sound to the next level. For inspiration I decided to pay homage to my musical upbringing. I listened to a lot of blues, jazz, and funk. Once I turned to my past, it took me a split second to decide what type of album I wanted to do, and what direction I wanted to go with my Dark Comedy name. I‚m all about pushing myself, and trying different things with this group. In the end, it was very easy for me to record this album, because I stuck very close to my musical roots. My slant in this production is it has an electronic edge to it. It‚s my version of an electronic blues/funk/jazz album. For the first time, I‚m using my voice to weave stories about my life. What I‚ve been through,‰ Larkin states. Upon hearing the album, record companies big and small lined up to sign it. Among the interested parties, Dan Keeling, A&R at Parlaphone/EMI UK, who discovered and signed Coldplay. Larkin decided to sign the album to a smaller label, in order to get as much attention as possible for this totally different genre-bending album. Poussez, a French label headed by Alain Ho (DJ Yellow) from Yellow Productions/France, convinced Larkin that they could provide what Larkin was looking for. Larkin signed the album, entitled: Dark Comedy: 'Music Saves My Soul.' The album was released June 2005 to much critical success. The reviews were pretty much the same. It placed Larkin in a genre of his own. The press applauded him for bending his genre, and pushing himself into a different realm altogether. Quotes: DJ Magazine May/05 "File under spoken word and you'd learn something. Stick it with house and it sits perfectly. Add to the list of genre-bending producers out there and Dark Comedy, aka Kenny Larkin, stands tall. This is a journeyman's album but don't misconceive his meaning.... ...This is a sparse concept album, if such a thing exists. Larkin leads through the life he's lead courtesy of some honest to the bones lyrics and raps, and a soulful yet techno-tinged groove. It's Detroit, it's maverick and at times it's close to genius. Get touched." **** stars Urb Magazine 12/04 "...this album under his Dark Comedy moniker, has a lot of newer ideas at the fore. Loosely themed around a set of dirty funk vocal samples, each track has it's own case of machine blues...it's nice to see Larkin not just maintaining the gold standard for Detroit Electronic music, but actually giving it a little push." ****stars Plug Magazine July/05 "Detroit's maverick techno interpreter Kenny Larkin returns as his alter-self Dark Comedy with his most impressive and experimental release to date. He taps into his soulful side that explores a bewildering array of sounds from bluegrass to electro to melodius techno funk. A nine course meal for the ears." 9/10 DMC Update June /05 "Kenny Larkin's latest long player uses all manner of aliases, but remains all his own work. Early on there is a strong spirituality in his blend of house and techno, Larkin providing some deeply felt spoken word commentary, without ever being too pretentious. Later he goes for even deeper vibes, the subtle bass line funk driving tracks like 'Tellin' Lie' towards the dance floor. The daring cover gives this one away-Larkin naked as the day he was born (steady girls!) The same thing happens mentally on the album though-stripped bare, it's a compelling, personal record." *****stars ABC 5 stars (The arts, books & culture magazine from the Independent on Sunday) 6/05 "Kenny Larkin's new album as Dark Comedy isn't quite like anything else he's produced. Nor is it much like the music anyone else is making, though it has precedents in albums by his fellow Detroit techno legend Moodymann or St. Germain. it also extrapolates from the history of Black American music up to Rock'n'Roll, and amazingly, show how makes gospel, soul, funk, jazz, and particularly the blues, all sound like they were invented to be played on a computer and yoked to a 4/4 house beat. He reveals his previously unsuspected vocal talents and sense of humor, and it's a mildly irreverent but still wholly soulful revision of past black American musical forms." *****stars Mojo Magazine Aug/05 "An alias of second-generation Detroit techno producer Kenny Larkin, Dark Comedy attempts to escape digital orthodoxy by searching for inspiration in a very different place: the blues. The result may be peculiar, but it's certainly original. Scratchy electric guitars and testifying preacher men are hacked, processed and amalgamated with low-down house rhythms amid joyous irreverence and a real sense of passion." ***stars BlowBack Magazine June/05 "America is a funny old place isn‚t it? Idiots who use to be in the Mickey Mouse Club get elevated to the level of pop star whilst real trendsetters proper founding fathers, get sidelined. In such isolation-past drugs, post fame-paranoia kicks in. Add the fact that Kenny Larkin was shot on his door step for no reason and you get the full picture. There is a creeping sense of anger and insanity in this album. also an attempt to reconnect to the blues via his own dance medium. Larkin falls back on music for comfort and brings up other ghosts too whilst the nightmares have twisted his sound. It's not funny, it's traveled. Musical catharsis at it's most poignant." M8 Magazine June/05 "The ever inventive Kenny Larkin returns in his dark comedy guise with an album that does it's very best to blur the lines between techno, house and soul. The Detroit-based producer has been creating and playing music since 1992, drawing on countless influences to push genre boundaries as far as they'll go. And it's business as usual on 'Funk Faker' with Kenny putting his multitude of talents to good use. His rich vocals, warm grooves and cheeky tweaks combine to perfection on the likes of album opener 'House Music', the blues-infused 'In my Home' and and twangy guitar-laden 'Music Saves My Soul'. Far more stylish than your average electronic outing, 'Funk Faker' is unlikely to fill many floors, but it'll sit happily in the CD drawer of your stereo for months to come." 7 out of 8 E-DJ (website) "Dark Comedy is the incisive, opinionated alter ego of maverick techno personality, Kenny Larkin, and 'Funk Faker: Music Saves My Soul' is only its second outing after 2004's 'The Narcissist'. Within, Larkin explores not only his musicality, but also his life experiences and his beliefs, making for a truly poignant narrative and diverse mixture of sounds. Undoubtedly, its rudiments are thoroughly electronic, but Larkin builds upon this common style in a captivatingly unique, natural, almost crude way; cracking off that over refined electronic gloss in favor of a more wholesome glow. Furthermore, whilst the foundation of most tracks are a stiff, yet lazy, hypnotic 4/4 kick drum, the overall vibe is deep-rooted in soulful, African-American music, spanning bluegrass-infused beats, and bluesy, mournful, dubby house - each narrated colorfully by Larkin's smooth timbre. With its carefree organs, John Lee-Hooker guitars and James Brown horn stabs, this really is contemporary, black electronic music, which is not confined or shaped by a genre that can often be somewhat restrictive. Truly charming and coolly mesmerizing." *** ? stars The beginning of 2006, Larkin started focusing on re-releasing his back catalog. Mid summer, Larkin is due to release another album under his Kenny Larkin moniker. This time he returns to his electronic dance roots, which will no question be hailed as his best dance floor album. Entitled, "Keys, Strings, Tambourines", it once again showcases Larkin's affinity for melodic structure, yet still keeping his heavy rhythmic beats close by to help educate the younger generation about why Detroit is still the place to turn for beautiful Techno. DISCOGRAPHY Kenny Larkin - We Shall Overcome (Plus 8, 1990) Kenny Larkin - Integration EP (Plus 8, 1991) Yennek - Serena X EP (Buzz, 1992) Dark Comedy - War Of The Worlds (Art Of Dance, 1992) Pod - Vanguard EP (Buzz, 1993) Kenny Larkin - Azimuth (Warp, 1994) Kenny Larkin - Maritime on Artificial Intelligence II (Warp, 1994) Kenny Larkin - Catatonic (R & S, 1994) Kenny Larkin - Metaphor (R & S, 1995) Dark Comedy - The Bar (Elypsia, 1996) Dark Comedy - Seven Days (Elypsia, 1997) Dark Comedy - Plankton (Art of Dance, 1997) Kenny Larkin - Ancient Beats (Peacefrog, 2004) Kenny Larkin - Narcissist (Peacefrog, 2004) Kenny Larkin - Let Me Think Private Pressing (Peacefrog, 2004) Dark Comedy - Music Saves My Soul/Make It - (Poussez, 2004) Dark Comedy - Funk Faker: Music Saves My Soul LP (Poussez, 2005) Remixes Naomi Daniels - Stars - I Ner Zon Sounds 1993 Inner City - Share My Life - 6 x 6 Records 1994 LA Synthesis - Agraphobia - Plink Plonk 1995 Inner City - Hiatus 6 x 6 Records 1995 Carl Craig - Science Fiction - Blanco Y Negro 1995 Silent Phase - Meditive Fusion - Transmat 1995 Slam - Dark Forces -Soma 1996 Charm Farm - Superstar - Mercury 1996 Eddie Fowlkes - Deep Pit - Sony Music Germany 1997 Underground Science - Reflected Plink Plonk 1997 Freq - Xirtam - Distance 1997 E Dancer - Pump The Move - Planet e 1998 Sade - Surrender Bootleg Inner City- Good Life - KMS 2000 |
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 4 Feb 2007, 06:29
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.::1|1,4|2|2,8|4|5,6|8|11::.  Gruppe: tb-Support Beiträge: 5.105 Mitglied seit: 7-October 03 Wohnort: Graz Mitglieds-Nr.: 2.460  |
also, wie wars?
erzählts (IMG:http://www.technoboard.at/style_emoticons/default/notify.gif) |
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4 Feb 2007, 12:26
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#2
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Member Gruppe: Members Beiträge: 225 Mitglied seit: 14-January 07 Wohnort: 1090 WG-INFERNALE Mitglieds-Nr.: 10.909 |
also wie soll ich sagen irgentwie hat mich seine mixweise leider nicht überzeugen können. ich glaube der gute mann hat das alles nur mit dem laptop gemischt (kann ich aber nicht 100% sagen). was ich aber auf jeden fall sagen kann ist dass es in der ersten halben stunde seines sets große komplikationen gab! ungewollte breaks und unglaublich verpatzte übergänge. aber ich mache dem mann keinen vorwurf. ich gebe dem pc die schuld. vielleicht kann das hier jemand bestätigen. ABGESEHEN von dieser ersten Aufwärmfase war sein set recht geil! vor allem die playlist war gespickt mit (detroit-)klassikern (mei pesöhnlicher höhepunkt: donner summer: i feel love.
tja über die anderen dj's kann ich leider nicht viel sagen da ich zu diesem zeitpunkt in gesprächer vertieft war. Insgesamt leider ein etwas missglückter abend, aber das kommt eben vor! ich freue mich schon auf seinen nächsten flex-besuch und bin gespannt obs dann hinhaut..... bin auf andere berichte gespannt! |
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4 Feb 2007, 13:08
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#3
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ENFANT TERRIBLE Gruppe: Members Beiträge: 2.691 Mitglied seit: 31-October 02 Mitglieds-Nr.: 470 |
hm, technische probleme hin oder her (sein notebook war wohl auf die geballte wucht der flexanlage nicht vorbereitet (IMG:http://www.technoboard.at/style_emoticons/default/tounge.gif) ) - es war doch eine verdammt geniale party!
(IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) kenny hat den leuten das gegeben, wonach sie gelechzt haben: detroit techno! (IMG:http://www.technoboard.at/style_emoticons/default/devil.gif) rudi roschitz zuvor muss hier besonders hervorgehoben werden! oh my gosh, was war das für ein geiles set!!!!!!!! (IMG:http://www.technoboard.at/style_emoticons/default/music.gif) (IMG:http://www.technoboard.at/style_emoticons/default/music.gif) (IMG:http://www.technoboard.at/style_emoticons/default/music.gif) Erykah Badu!!! (IMG:http://www.technoboard.at/style_emoticons/default/cool.gif) (IMG:http://www.technoboard.at/style_emoticons/default/happy.gif) und überhaupt... wie immer: weit weit vorne in der allerersten liga: just my 2 cents (IMG:http://www.technoboard.at/style_emoticons/default/closedeyes.gif) musste leider schon um 4.00 wieder weg, da ich heute viel zu tun habe. wäre wahnsinnig gerne noch länger geblieben. Der Beitrag wurde von Miss Dita D.K.-dance bearbeitet: 4 Feb 2007, 13:13 |
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4 Feb 2007, 13:12
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#4
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Member Gruppe: Members Beiträge: 95 Mitglied seit: 17-September 05 Wohnort: Wien Mitglieds-Nr.: 7.145 |
also ich fands musikalisch auch sehr klasse, der ein oder andere übergang war etwas abrupt und manchmal gabs auch n kurzen unterbrecher, was wohl technisch bedingt war.
mein favorit war dieser larry heard track dessen name mir grad net einfällt ( in the begining there was jack....) und der eine kraftwerk track. sehr feiern abend jedenfalls auch wenn ich schon um 4 ur müde war und heim bin. |
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4 Feb 2007, 14:39
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#5
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Member Gruppe: Members Beiträge: 121 Mitglied seit: 7-January 07 Mitglieds-Nr.: 10.820 |
erst mal kompliment an rudi roschitz - das war großes warmup! sehr stimmig.
kenny larkin hätt ich mir etwas härter vorgestellt, war aber dennoch ein gutes set - mit den schon angesprochenen problemen. einmal nach so einem verpatzen übergang hab ich zu kenny geschaut und er hätt fast die turntables zertrümmert so frustig hat er ausgesehn (IMG:http://www.technoboard.at/style_emoticons/default/smile.gif) so richtig in schwung kam das set allerdings erst so ab halb 4. after hour von esycho war mir zu einfallslos. |
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4 Feb 2007, 18:46
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#6
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Member Gruppe: Members Beiträge: 225 Mitglied seit: 14-January 07 Wohnort: 1090 WG-INFERNALE Mitglieds-Nr.: 10.909 |
ja stimmt (die erinnerungen kehren zurrück) KRAFTWERK! computerworld. und dann war da noch carl craig - tres demented...
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4 Feb 2007, 19:15
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#7
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da best hardware moderator ever:-) Gruppe: Members Beiträge: 5.479 Mitglied seit: 19-April 02 Wohnort: vienna rulez ! Mitglieds-Nr.: 120 |
pics online !
@ www.cycamp.at (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) |
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5 Feb 2007, 09:41
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#8
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Delegoano Gruppe: Members Beiträge: 4.279 Mitglied seit: 23-September 05 Wohnort: Vienna Mitglieds-Nr.: 7.187 |
shit, die selection des abends war einfach sooo-o-o-o genial, her mit der liste (IMG:http://www.technoboard.at/style_emoticons/default/tounge.gif)
ja, laptop-probleme... aber trotzdem, selection machte es wieder wett. Rudis set war übrigens genau das, was mir hier in Wien seit Jahren fehlt, uplifting, treibend und trotzdem deep auch Kenny hat wieder einige Lücken in meiner Erinnerung stopfen können, feinster sound, wenn auch die technik-probleme am anfang wirklich den flow unterbrochen haben. Später hat er dann ein bisschen die bass-rein-bass-raus spiele begonnen unds so der wiener meute doch noch ganz gut besorgt. Chrise war dann etwas launisch unterwegs beim mixen, dafür hat er echt ein paar momente zum Besten gegeben mit atmosphärischen reduzierteren tracks, schöne melodien und so ein idealer ausklang für diesen großartigen Abend... Organische, melodiöse, triballastige tracks, immer etwas hypno-gepiepse und gesang, als wäre es deepster house... einfach die geniale detroit-ursuppe... wieder im flex.. so zuhause hab ich mich im flex schon lange nicht mehr gefühlt... Danke Crazy, Danke Flex ! |
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5 Feb 2007, 09:44
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#9
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Rhythm Slave Gruppe: Members Beiträge: 2.489 Mitglied seit: 5-May 03 Wohnort: Vienna Mitglieds-Nr.: 1.656 |
ich könnte mich in den arsch beissen weil ich nicht kommen konnte.....hm.. (IMG:http://www.technoboard.at/style_emoticons/default/mad.gif)
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5 Feb 2007, 11:30
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#10
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Delegoano Gruppe: Members Beiträge: 4.279 Mitglied seit: 23-September 05 Wohnort: Vienna Mitglieds-Nr.: 7.187 |
@acid... war übrigens längste Zeit, dass wir uns mal die Flosse schütteln, nachdem wir uns bereits auf sicher 5 Parties knapp verpasst haben (IMG:http://www.technoboard.at/style_emoticons/default/notify.gif) Vielleicht ist das der Grund, warum ich auf einmal auf sovielen Fotos bin (IMG:http://www.technoboard.at/style_emoticons/default/happy.gif) aber gut so... da wird sich wer über ein paar schöne Urlaubserinnerungen freuen (IMG:http://www.technoboard.at/style_emoticons/default/smile.gif)
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5 Feb 2007, 13:37
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#11
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It is what it is! Gruppe: Members Beiträge: 4.388 Mitglied seit: 2-September 02 Wohnort: Planet Earth - next street to the left.......! Mitglieds-Nr.: 344 |
Kleines Review von mir zur Nacht:
Gerwin Kante - sehr feiner deeper warm up. Rudi Roschitz - definitiv der Held der Nacht! Sehr feine Selektion, sehr feine Mixes. Kenny Larkin - sehr feine Tracks! Jedoch stark gebeutelt aufgrund technischer Probleme, genauer gesagt machte ihm der "Motion Sensor" seines MAC`s einen Strich durch die Rechnung. Sprich bei heftigen Basswellen bootete sich der Rechner selber runter. Daher div. Aussetzer & unsaubere Mixes, mit sowas hatte er nicht gerechnet......... - dementsprechend "verzweifelte er". Der Larry Heard Track - ist übrigens "Fingers Inc" - "Let there be house" Chis Esycho - belanglos - Kritik vollkommen zutreffend. Hatte mehr mit seinem schlagartig einsetzenden Rausch zu kämpfen, als auf gute Selektion & saubere Mixes zu achten......... - holte sich dann DJ Glow als Support (Ping Pong). Ebenso stellten sich auf zwei Plattenspielern technische Probleme ein, die man zumindest bei einem beheben konnte........ Eiskonfekt - von Anfang bis Ende sehr feine Visuals bzw. geniale Bilderreisen - my favourite speziell die Legovisuals & der "mahnende Zeigefinger"......... Hatte ebenso einige Male mit dem "Motion Sensor" des MAC zu kämpfen....... Insgesamt war es eine sehr feine Nacht und die anwesenden Besucher tanzten lang & intensiv bis zum Ende, selten solch eine volle Tanzfläche gegen Schluß gesehen! Die Party war trotz div. technischer Probleme sehr gut & die Leute hatten gehörigen Spaß......! Der Beitrag wurde von Chrise bearbeitet: 5 Feb 2007, 13:40 |
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5 Feb 2007, 13:45
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#12
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Delegoano Gruppe: Members Beiträge: 4.279 Mitglied seit: 23-September 05 Wohnort: Vienna Mitglieds-Nr.: 7.187 |
super dass ich das jetzt weiss, nachdem ich mir zu Weihnachten ein Macbook für zukünftige live-acterei besorgt hab...
ZITAT Hatte mehr mit seinem schlagartig einsetzenden Rausch zu kämpfen, als auf gute Selektion & saubere Mixes zu achten selection fand ich allerdings gerade in der zeit, als der Rausch schlagartig einsetzte besonders geil, das waren genau die Momente, die man zum innehalten braucht auf so einer Party... vor allem dank der melancholisch, atmosphärischen Nummern die du gespielt hast.... nach 5 h shaken kam das wie gerufen... |
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5 Feb 2007, 13:54
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#13
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It is what it is! Gruppe: Members Beiträge: 4.388 Mitglied seit: 2-September 02 Wohnort: Planet Earth - next street to the left.......! Mitglieds-Nr.: 344 |
Danke für die Zeilen, war jedoch auf mich selbst dermaßen sauer wegen des Rausches - das........
Bezüglich Motion Sensor: Ist anfürsich kein Problem, laut unseres Computergurus Dr. Meininger, einfach halbe Tennisbälle drunter - wie bei Plattenspielern. Oder Motion Sensor ausschalten, wobei das etwas dauert, wenn ich Anleitung dazu bekomme kann ich sie hier gerne posten (Kenny hat ebenso darum gebeten, da es bereits mehrmals bei ihm dieses Problem gab)..... Der Beitrag wurde von Chrise bearbeitet: 5 Feb 2007, 13:57 |
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5 Feb 2007, 14:04
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#14
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Delegoano Gruppe: Members Beiträge: 4.279 Mitglied seit: 23-September 05 Wohnort: Vienna Mitglieds-Nr.: 7.187 |
thx für die info... ich dachte auch schon an diese bisher nur unzureichend funktionierenden aufblas-ständer für plattenspieler... aber tschick am falschen Platz und aus is...
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5 Feb 2007, 14:05
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#15
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Flex Schallplatten Gruppe: tb-Support Beiträge: 7.372 Mitglied seit: 4-November 02 Wohnort: Wien Mitglieds-Nr.: 479 |
Ich versuche mich gerade an den letzten Laptop-Act zu erinnern der im Flex keine Probleme damit hatte ... *nachdenk* ... mir fällt keiner ein! Schmeißt doch die scheiß Kisten weg ... Save the Vinyl!
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5 Feb 2007, 15:26
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#16
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Hardcoreposter Gruppe: Members Beiträge: 1.624 Mitglied seit: 13-March 03 Mitglieds-Nr.: 1.424 |
"Plötzlich einsetzender Rausch" (IMG:http://www.technoboard.at/style_emoticons/default/tounge.gif) , ich hau mich ab. Naja, ich fands auch ganz ok, war halt a bissi ruhiger als sonst, ansonsten mein Review auf der FLEXpage.
Für mich ein cooler Abend; das mit dem Laptop, tja im Prinzip Catekk hast ja Recht, doch die unendlichen Möglichkeiten mit Final Scrtach etc sind halt auch ein Argument für sich, man kann ja nicht 1000e Tracks durch die Welt schleifen bzw wollen das nur mehr sehr wenige Djs tun. Der Beitrag wurde von Crazy Sonic bearbeitet: 5 Feb 2007, 15:29 |
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5 Feb 2007, 15:32
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#17
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ENFANT TERRIBLE Gruppe: Members Beiträge: 2.691 Mitglied seit: 31-October 02 Mitglieds-Nr.: 470 |
ZITAT(Chrise @ 5. Feb 2007, 14:54 ) Danke für die Zeilen, war jedoch auf mich selbst dermaßen sauer wegen des Rausches - das........ (IMG:http://www.technoboard.at/style_emoticons/default/567.gif) warum verpasse ich immer die besten momente? (IMG:http://www.technoboard.at/style_emoticons/default/baaa.gif) anyway, die visuals von eiskonfekt waren auch wirklich sehr cool! großes lob! (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif) |
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5 Feb 2007, 15:38
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#18
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jklö karl Gruppe: Members Beiträge: 2.751 Mitglied seit: 9-August 05 Wohnort: Ural 13 Mitglieds-Nr.: 6.941 |
ZITAT Chrise war dann etwas launisch unterwegs beim mixen can't mix won't mix!!! (IMG:http://www.technoboard.at/style_emoticons/default/tounge.gif) ärgere mich gerade ein bisschen über meine abwesenheit... @rudi: yeeeeeeeeah! (IMG:http://www.technoboard.at/style_emoticons/default/devil.gif) |
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5 Feb 2007, 15:41
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#19
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Delegoano Gruppe: Members Beiträge: 4.279 Mitglied seit: 23-September 05 Wohnort: Vienna Mitglieds-Nr.: 7.187 |
ja... und ich hab ma die ganze Zeit gedacht, den kenn ich doch, is des ned der punkti punkti strichi strichi (IMG:http://www.technoboard.at/style_emoticons/default/tounge.gif) dicke props jedenfalls. besuch mich ja nie mit der selection sonst heissts: "It puts the lotion on its skin.. or else it gets the hose again" (IMG:http://www.technoboard.at/style_emoticons/default/laugh.gif) (IMG:http://www.technoboard.at/style_emoticons/default/biggrin.gif)
Der Beitrag wurde von Delegoano bearbeitet: 5 Feb 2007, 15:42 |
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5 Feb 2007, 16:41
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#20
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da best hardware moderator ever:-) Gruppe: Members Beiträge: 5.479 Mitglied seit: 19-April 02 Wohnort: vienna rulez ! Mitglieds-Nr.: 120 |
@ del
jep stimmte jetzt hab mas mal geschafft wenn auch nur kurz ... habara wollten ja dann schon fahren hehe. ja das mit den pics is mir auch aufgefallen das ich euch 2 da relativ oft erwischt hatte hehe. |
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