 25.11.2006 Justus Köhncke @ Cabaret Renz, Cabaret Renz, Wien |
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Kalendereintrag
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Datum des Ereignisses: 25. 11. 2006 (Einmaliges Ereignis) |
| Justus Köhncke @ Cabaret Renz | |
| LineUP |
Justus Köhncke (Kompakt rec. /D) Umberto Gollini (cheap rec. /A) Smacs (club 7) |
| Specials/Infos | |
| Entry | € 5,- |
| Styles | |
| Location |
Cabaret Renz Zirkusgasse 50 1020 Wien |
| Distance | um die Entfernung zu berechnen bitte Postleitzahl in deinem Profil eingeben |
| Routenplaner | Größere Kartenansicht/Routenplaner |
| Flyer | |
| sonstiges |
In letzter Minute wurden wir angerufen ob Justus Köhncke heut nicht vielleicht bei uns spielen mag ! (tom) Infotainment: From punkrock to acid, ballads to techno, "Whirlpool" to "KOMPAKT" - cologne-based producer, singer and DJ Justus Köhncke has surely come a long way. Justus started off in the late 80s with his first project "Blood And Honey", a Düsseldorf-based duo doing nothing but electronic versions of Amanda Lear songs. After moving to cologne in 1990, Justus, heavily influenced by house music, began producing tracks with different people, especially DJs Hans Nieswandt and Eric D. Clark. At this time, he started spinning his own special mixture of records in the cologne scene as well. From 1992 to 2000 he, Eric and Hans, under their "Whirlpool Productions" moniker, released four full-length albums for Ladomat, Motor and WEA, as well as countless 12 inches and remixes. They are especially known for their 1996 club classic "From: Disco To: Disco" which became a major hit across europe and held the no.1 spot in the italian pop charts, summer 1997, for five weeks. 1997 also saw the release of “THE GOINGS OF AN OFFER” by SUBTLE TEASE (on Ladomat), a project by Köhncke and Kai Althoff (cologne-based multi-genre artist and singer), an outerworldly mixture of electronica, beats and vocals. After WPP split up, Justus started releasing under his own name. His first solo album, "Spiralen der Erinnerung" (1999), consisted of very personal electronic interpretations of his favourite classics by the likes of John Cale, Neil Young or Hildegard Knef and also introduced Köhncke as a fragile and soulful vocalist. But disco was never dead for him. He continued rocking the cologne bars and dancefloors as a DJ and developed his very own sci-fi-techno-disco production style. After signing with his old cologne rave buddies on the reowned KOMPAKT label in 2001, he dropped his now-trademark 12 inches "Jet/Shelter" and "2 After 909" as well as his series of Chic-Hommage-Tracks, "SCIENCE 210X". 2002 saw the release of his first solo album for KOMPAKT, "Was Ist Musik", which combined the clubby side of his music and his very special approach towards german-language electronic pop songs. "Doppelleben", the 2005 album release, pushed this duality even further, prompting the US paper "Seattle Weekly" to coin the term "nü-german compu-soul". 2004's 12" release "Timecode" turned out to become his biggest disco smash so far, ruling the floors that summer. His club tracks have been licensed on countless compilations and mix-CDs, including ones by Erlend Øye, Steve Bug, DJ Hell or Felix Da Housecat. In recent years, Justus has produced remixes for Chelonis R. Jones, Ladytron, Mylo, Andreas Dorau, Erasure, Stereo Total and Hot Chip, among others. Justus’ latest offerings include a disco-nouveau-ish remix of Zero 7’s “You’re My Flame” single (heavily appreciated in the UK) and soon-to-come remixes for german-based singer Ian O’Brian-Dokker and Sheffield artist HIEM (on ESKIMO recs). Then there are his collaborations with Dirk Leyers, of CLOSER MUSIK fame, under the KONTRAST moniker (the heavyweight slo-mo-techno-12” “STAMMTISCH DER VERZWEIFLUNG” on KOMPAKT and a brand new detroitish, skin-deep release on cologne’s FIRM imprint featuring Eric D. Clark on vocals called “AN OUNCE OF MEMORIES”), unreleased contributions to this year’s KOMPAKT TOTAL 7 comp (“GREY SKIES TO BLUE” by KONTRAST and his very own kind-of-Human-League-tribute “LOVE AND DANCING”) and, finally, the ADVANCE/OVERHEAD 12” on KOMPAKT, soon to be followed by a remix package with reworkings of Köhncke music by Oslo’s very own Prins Thomas, amongst others. And The Köhncke Disco Laboratory is not standing still… Whether its working at the DJ booth, a club stage, or some grimy bar, Justus is forever passionate and heartfelt, never forgetting why the 4/4-bassdrum was invented in the first place. That is: FOR US TO SHARE! (as of oct 2006) |
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 25 Nov 2006, 19:36
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Flex Schallplatten  Gruppe: tb-Support Beiträge: 7.372 Mitglied seit: 4-November 02 Wohnort: Wien Mitglieds-Nr.: 479  |
eingetragen (IMG:http://www.technoboard.at/style_emoticons/default/thumbs-up.gif)
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25 Nov 2006, 19:43
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#2
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Member Gruppe: Members Beiträge: 83 Mitglied seit: 26-September 05 Wohnort: Lebemann und Hirn, Gumpendorferstr. 34 Mitglieds-Nr.: 7.206 |
herzlichen dank!!!
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