Filter/Gate/Effeckt Plugins Einstellungen

[Derrick S]

Hier eine Sammlung zu Filter Plugins

fang mal an:

(IMG:http://www.fabfilter.com/images/screenshot_volcano_full.jpg)

FabFilter Volcano's two independent multimode filters provide low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. Any filter parameter can be modulated by the two LFOs and the MIDI/audio-triggerable EG.


Originally developed for FabFilter One, Volcano's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible.

Each filter offers seven different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

In combination with the response and slope settings, FabFilter Volcano offers up to 63 different filter types.


Tweak the filters with Volcano's interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.

The panning setting on both filters enables you to adjust the filter balance on the left and right audio channels, which creates stereo effects without phase problems.

The frequency, peak, and panning settings can be modulated in any way imaginable with the two MIDI triggered LFOs and the MIDI/Audio triggered envelope generator. The LFOs have triangle and square wave forms and can be synchronized to the host tempo in normal, dotted, or triplets mode.

Also, you get all the standard FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, over 100 great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.

http://www.fabfilter.com/products/volcano.php


(IMG:http://www.fabfilter.com/images/screenshot_simplon_full.jpg)


Especially suitable for live performance, FabFilter Simplon is a simplified version of FabFilter Volcano with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode.


Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or 'digital', even at full resonance.

Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.

Tweak the filters with Simplon's large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.


And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.

http://www.fabfilter.com/products/simplon.php



(IMG:http://www.fabfilter.com/images/screenshot_timeless_full.jpg)


At a first glance, FabFilter Timeless is a perfectly modelled classic tape delay. Look further and you'll discover that its unique high quality filters and many creative options turn it into the ultimate sound-mangling machine. Create echo, chorus, flanger, phaser, scratch effects and much more! Modulation is a breeze, thanks to the unique drag-and-drop modulation matrix. And over 200 presets will get you started quickly.

(IMG:http://www.fabfilter.com/images/button_play.gif) Timeless Demo
FabFilter Timeless, Twin and One. No additional effects (MP3, 1.1 MB)

Two separate L and R delay lines are available which can be panned individually. Each delay line can be synchronized to the host tempo with fully adjustable offset. A tap feature is provided, and the L/R delay times can be synchronized.


In Tape mode, the delay lines function as a classic tape delay. Changing the delay time will change the pitch of the signal accordingly, enabling you to create scratch-like effects because the delay line responds very smoothly to knob movements. In Stretch mode, the music slows down or speeds up while keeping the pitch the same.

The signal from the delay lines is fed to two highest-quality multimode filters that shape the sound any way you want. Each filter has six filter characteristics that define the unique sound and overdrive of the filter. They range from smooth with moderate overdrive to raw, self-oscillating and over-the-top! The filters are easy to tweak with the interactive filter display.

From the filters, the signal is taken back to the delays and can be adjusted with the feedback and cross-feedback knobs. Per-channel phase inversion is provided to create jaw-dropping flanger and phasing effects.


Adding modulation is easy with the drag-and-drop modulation matrix. To fill a modulation slot, simply drag the source button for a modulation source to the knob that you want to modulate! You can create incredibly complex sounds with ease by letting modulation slots modulate each other. Almost all parameters can be modulated.

Modulation sources: two LFOs, EG, velocity, aftertouch, mod wheel, pitch bend, and keyboard track. Each of these can modulate any modulation target.

The LFOs feature tempo/MIDI sync, triangle, sine, S&H, and random wave forms, adjustable wave balance, and a polarity option. The LFO frequency is a modulation target. All of the audio/MIDI triggered EG parameters are modulation targets as well.

And of course, you get all the standard FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, over 100 presets, unique per-component presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.





http://www.fabfilter.com/products/timeless.php

Der Beitrag wurde von derrick s. bearbeitet: 18 Sep 2008, 12:53

[Derrick S]

das klasse plugin darf nat. nicht fehlen:

(IMG:http://www.d16.pl/images/devastor/devastor-persp-big.jpg)


Overview

D16 proudly presents our first Fx Plugin from our "SilverLine Collection" - Devastor. Devastor is a simple but remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our synth Phoscyon. Being multiband, the sonic mangling capabilities are endless!

Structure

Devastor consists of three blocks: dynamic-gain module, diode-clipper distortion and three filter sections. Each of the filters can process the signal before or after the diode-clipper. The filters are not the peaking EQ type which are used in classic multiband distortion They are like those found in analogue synthesizers (low pass, high pass, band pass and band reject)- with adjustable resonance and cutoff. As a result, Devastor has a completely unique sound - just check out the Factory Presets.

Versatile and advanced

Devastor can used to distort and enhance a wide range of sounds - From full-on acid synth sounds to guitar fuzz or analogue amp with combo speaker. It can even be used with drums to make them sound more dirty and dynamic! Devastor isn't just good at creating distorted monster sounds. It can also be used subtlety to improve the timbre and character of more gentle sounds. Reducing the preamp gain, increasing the threshold and selecting a soft-knee for the dynamics will bring out more warmth and detail in a sound without introducing distortion.

When designing Devastor, we applied special antialiasing techniques to the output signal to make sure the signal had no aliasing (aliasing is one of the reasons why digital distortion units sound so cold and un-musical). As a result, Devastor has a warm, musical and very high quality sound.

To hear Devastor, we would like to invite You to listen our audio examples. You'll find many types - from distorted acid lines, through drum'n'bass loops, to electric pianos and organs. Devastor is so good that you may think that the sound has been sent from the computer to an external analogue distortion unit and back into the computer again!

Requirements

Devastor is available in VST and AU format for both platforms (PC and Mac). It's a dynamic library (.dll file) for PC (VST only) and Universal Binary bundle for Mac (VST and AU).
To use the product you need Windows 2000/XP or Mac OS X 10.4.3 or later. It's not a standalone program so you need a VST or AU compatible host application to use it.


Full Features

• probably the best diode-clipper emulation
• analogue-like filters
• dynamics flattener
• presets organised into groups
• midi learn function
• pre/post processing mode for each filter
• 64bit internal processing
• low aliasing output

wird unter anderm auch von martin roth benutzt

dj, producer
http://www.martinroth.net
http://www.myspace.com/martinroth

(IMG:http://www.d16.pl/images/artists/martin_roth.jpg) » Devastor is THE plugin to add the dirtier punch to my music production setup. There had been so many distorsion, saturation and filter plugins but DEVASTOR takes distorsion to another level with a broken but still brilliant sound I haven't experienced so far from a plugin like that.

Many of the D16 products were used in my recent remixes or projects for Paul van Dyk, Blank&Jones or Above&Beyond.

Also since moving to the more techno influenced electronic music I am using parts of D16 products in every single production from Phoscyon to Nepheton or a combination from all them to get back the real old drum- and bassmachine sound ... «

Martin Roth

more infos + demo: http://www.d16.pl/index.php?menu=183