Filter/Gate/Effeckt Plugins |
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Filter/Gate/Effeckt Plugins |
6 Jun 2007, 15:13
Beitrag
#1
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Reality Bites Rec (GER) Ocean Drive Rec (US) Receptive Rec (UK) Gruppe: tb-Support Beiträge: 6.126 Mitglied seit: 2-January 03 Wohnort: Wels, Oberösterreich Mitglieds-Nr.: 647 |
Hier eine Sammlung zu Filter Plugins
fang mal an: (IMG:http://www.fabfilter.com/images/screenshot_volcano_full.jpg) FabFilter Volcano's two independent multimode filters provide low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. Any filter parameter can be modulated by the two LFOs and the MIDI/audio-triggerable EG. Originally developed for FabFilter One, Volcano's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Each filter offers seven different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness! In combination with the response and slope settings, FabFilter Volcano offers up to 63 different filter types. Tweak the filters with Volcano's interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time. The panning setting on both filters enables you to adjust the filter balance on the left and right audio channels, which creates stereo effects without phase problems. The frequency, peak, and panning settings can be modulated in any way imaginable with the two MIDI triggered LFOs and the MIDI/Audio triggered envelope generator. The LFOs have triangle and square wave forms and can be synchronized to the host tempo in normal, dotted, or triplets mode. Also, you get all the standard FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, over 100 great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more. http://www.fabfilter.com/products/volcano.php (IMG:http://www.fabfilter.com/images/screenshot_simplon_full.jpg) Especially suitable for live performance, FabFilter Simplon is a simplified version of FabFilter Volcano with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode. Originally developed for FabFilter One, Simplon's filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon's filters sound raw but never cheap or 'digital', even at full resonance. Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness! In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types. Tweak the filters with Simplon's large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time. And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more. http://www.fabfilter.com/products/simplon.php (IMG:http://www.fabfilter.com/images/screenshot_timeless_full.jpg) At a first glance, FabFilter Timeless is a perfectly modelled classic tape delay. Look further and you'll discover that its unique high quality filters and many creative options turn it into the ultimate sound-mangling machine. Create echo, chorus, flanger, phaser, scratch effects and much more! Modulation is a breeze, thanks to the unique drag-and-drop modulation matrix. And over 200 presets will get you started quickly. (IMG:http://www.fabfilter.com/images/button_play.gif) Timeless Demo FabFilter Timeless, Twin and One. No additional effects (MP3, 1.1 MB) Two separate L and R delay lines are available which can be panned individually. Each delay line can be synchronized to the host tempo with fully adjustable offset. A tap feature is provided, and the L/R delay times can be synchronized. In Tape mode, the delay lines function as a classic tape delay. Changing the delay time will change the pitch of the signal accordingly, enabling you to create scratch-like effects because the delay line responds very smoothly to knob movements. In Stretch mode, the music slows down or speeds up while keeping the pitch the same. The signal from the delay lines is fed to two highest-quality multimode filters that shape the sound any way you want. Each filter has six filter characteristics that define the unique sound and overdrive of the filter. They range from smooth with moderate overdrive to raw, self-oscillating and over-the-top! The filters are easy to tweak with the interactive filter display. From the filters, the signal is taken back to the delays and can be adjusted with the feedback and cross-feedback knobs. Per-channel phase inversion is provided to create jaw-dropping flanger and phasing effects. Adding modulation is easy with the drag-and-drop modulation matrix. To fill a modulation slot, simply drag the source button for a modulation source to the knob that you want to modulate! You can create incredibly complex sounds with ease by letting modulation slots modulate each other. Almost all parameters can be modulated. Modulation sources: two LFOs, EG, velocity, aftertouch, mod wheel, pitch bend, and keyboard track. Each of these can modulate any modulation target. The LFOs feature tempo/MIDI sync, triangle, sine, S&H, and random wave forms, adjustable wave balance, and a polarity option. The LFO frequency is a modulation target. All of the audio/MIDI triggered EG parameters are modulation targets as well. And of course, you get all the standard FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, over 100 presets, unique per-component presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more. http://www.fabfilter.com/products/timeless.php Der Beitrag wurde von derrick s. bearbeitet: 18 Sep 2008, 12:53 |
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26 Jul 2007, 09:02
Beitrag
#2
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Reality Bites Rec (GER) Ocean Drive Rec (US) Receptive Rec (UK) Gruppe: tb-Support Beiträge: 6.126 Mitglied seit: 2-January 03 Wohnort: Wels, Oberösterreich Mitglieds-Nr.: 647 |
sehr geiles plugin (IMG:style_emoticons/default/music.gif) um Drums, Bässe, Leads mit einer ordentlichen Portion Schmutz auf anzufetten:
(IMG:http://www.ohmforce.com/media/ss_Ohmicide_funky.jpg) It's commercial common knowledge that "people always want more distortions" and this is exactly what Ohmicide: Melohman is delivering. In one death blow. Based on Predatohm design, Ohmicide:Melohman is organized around up to four frequency bands, each of them coming with their own Noise Gate, Dynamics, Distortion, Feedback Generator and all mixing abilities with just a twist of pre- and post-processing (distortion input, high shelf output...). The DSP is 100% different from Predatohm: compressor/expander works differently to fit well with both the very sharp Noise Gate we've included and the huge amount of new distortions. Those are at the core of Ohmicide. They're designed to offer pretty much everything you can think of next to a lot of things you can't think of. Some, like the tasty "Porridge" distortion sounds deliciously analog, while the "Fractal" one is harsh and digital as hell. Or you've got the very dense "Accumulator" that can add low harmonics instead of high. All those distortions are mainly new breeds - yet the classics are also covered. They all are declined in three variations: normal, ampsim and odd. The "Odd" one is terribly exciting as it gives you control on the harmonics frequency and allows for slightly detuned distortion. Last but not least, we've added a disto type that was missing from Predatohm... No distortion. It was an absolute need, considering how many things can be done just by using the multiband dynamics and/or the filter! Indeed the filter that allows the band separation - much steeper than the Predatohm's - is matched with a recombining filter that correct the phase shifts it induced. This improves greatly the transients preservation as well as the filter sound. Add to this an interesting dynamics processing and you'll end up using it everywhere. We've warned you! Predatohm addicts will be happy to know that not only does Ohmicide:Melohman include a feedback generator on each band, but that it can be spread in stereo. Combined with all the different disto and melohman features it's a huge larsen soundscape waiting to spice up your tracks. Melohman Massacre! Already known to Symptohm:Melohman and Minimonsta:Melohman users, Melohman is a set of features dedicated to live action. It allows you to morph between presets or randomize the sound in an intuitive, organic way. Just plug a Midi keyboard on your computer and play notes to go from one sound to another at a velocity sensitive speed. For the first time it is included on an effect, and it shows very exciting results for anything that involve live mix/remix as well as very efficient in a production situation. Also used in a midi pattern logic it's a very powerful tool for every loop manglers. This plugin is available in the following standards RTAS - Mac OS X (PPC and Intel) : For use on any ProTools 7 OS X systems VST 2.0 - Windows / Mac OS X (PPC and Intel) : For use with all VST-compatible host (Cubase, Ableton Live, EnergyXT, Tracktion...) AudioUnits - Mac OS X (PPC and Intel) : For use on Logic Audio, Ableton Live, Digital Performer and any AU-compatible host Core features Phase corrected multiband stereo effect. Band distortion : a heap of modern sounding stereo distortions that can feedback. Band dynamic : alien compressor or expander, synchronized noise gate Band stereo : optionally process in mid/side mode for more stereo field tweak-ability. First Melohman effect: midi controlled preset morphing or randomization. Remixers' new absolute must? (IMG:http://www.ohmforce.com/media/feature_Ohmicide_default.jpg) Optional High Quality rendering (internal oversampling) (IMG:http://www.ohmforce.com/media/feature_Ohmicide_default.jpg) Great on guitar, bass, synth, and any living creature in general. And as usual on Ohm Force products (IMG:http://www.ohmforce.com/media/feature_gen_preset_morphing.jpg) Useful presets instant variable transitions where all the parameters switch from the old value to the new one in a ballet you won't forget! MIDI automation: It allows control of all parameters from *any* MIDI source and records its movements. With the MIDI feature, it's also possible to adjust the LFO phase to get accurate tempo synchronization and to obtain totally musical and rhythmic effects. All RPN and NRPN data sent or recorded are 14-bit accurate. This feature is not available on demo versions but is featured on the Frohmage free version, instruments demos or every standalone versions for you to try. (IMG:http://www.ohmforce.com/media/feature_gen_autobind.jpg) Easy MIDI configuration with Auto-Bind feature. Select a knob on the screen, activate the Auto-Bind and move a controller knob on your MIDI device: the parameter will be automatically bound to the chosen knob. (IMG:http://www.ohmforce.com/media/feature_gen_midisave.jpg) Fast configuration: Save MIDI configurations into files and reload them to avoid repeating the same operations each time you load the plug-in. Advanced MIDI support with autobind feature and fast configuration (IMG:http://www.ohmforce.com/media/feature_gen_tempo.jpg) Tempo synchronization: Instantly matches the exact beat of your track High quality DSP algorithm: The greatest sound quality. See for yourself with any demo version or check out the samples. Sampling rate up to 384 kHz. (IMG:http://www.ohmforce.com/media/feature_gen_smoothctl.jpg) Revolutionary graphic user interface! Big handy buttons which are more precise and smoother than you could imagine... With our SubPixel technology there is more definition. Move several buttons at once, with group selection and side-click. Advanced GUI full of live-performance features, such as flying knobs, preset morphing, and grouped parameters... more und demo hier: http://www.ohmforce.com |
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