ja aber wenn man Abwechslungsreiche sets machen will und man je Spur nur 2 oder 3 Clips hat geht einen doch schnell das Material aus.
mit dem Controller kann ich nur 8 Spuren ansprechen...

wie machen das andere die mit Ableton live arbeiten?

was meinst wie meinst????


schau her Leute wie ich machen das so:
nimm einen Midicontroller her (z.B.: Behringer BCR2000) und lege dort die Synthesizer Regler drauf (bis zu 127 Controller pro instrument im moment, in zukunft jedoch hoffentlich unbegrenzt)
dann geht dir das Material nicht aus, weil du dann einen Synthesizer vor dir hast und den live bedienst.

Zusätzlich bzw ODER, kannst du ja PROGRAMM CHANGES im Clip einstellen, bei einem clip aktivierst dann Programm 1 von der Bank 2 im anderen Programm 30 von der Bank 20......

Nachteil von Programm changes- du hast dann aprupte umschaltung der soundparameter....

i check eigentlich gar nix was du meinst .. welches material is in 15 min aufgebraucht ?

was meinst du denn damit ??

ja die Parameter am synth kannst logischerweise mit deinem behringer ansprechen. d.h. du klickst auf midi und routest dir die parameter auf deine verschiedene knöpfe/regler etc .. ist ja auch eine fernbedienung ..

Ableton Live 8: Wie benutzt man Dummy Clips?
http://www.delamar.de/ableton-live-8-wie-b...an-dummy-clips/

(IMG:http://www.delamar.de/wp-content/uploads/2009/04/ableton_live_8_dummy_clips.png)

Tip 1:

Wie arrangiere ich einen Song?

Using and Misusing Groove Extraction

Ableton Live 8 is here, and by now, you're like familiar with some of its banner features. But we wanted to learn more about how features could be used in creative, new ways, or even misused. I sat down with Ableton's Dennis DeSantis in the Ableton office here in New York to talk about some creative applications of new Live 8 features, starting with groove extraction and quantization.

Dennis is the right guy to consult when it comes to rhythm: he's a talented composer, a classically-trained percussionist, and a founding former member of the ground-breaking Alarm Will Sound ensemble, which plays music from Varese to Aphex Twin. (Dennis himself was responsible for some of those Aphex Twin remixes.)

In part 1 of our 3-part series, Dennis looks at ways in which groove extraction can be used as a powerful dynamic quantization tool. That was always my hope for Live, going back to very early versions; it was incredibly frustrating that you had only limited, mechanical-sounding "swing" features that couldn't be controlled. To some, Groove Extraction may simply mean copping specific grooves from samples, but it's actually capable of dialing in a custom groove with real ease.

In part 2, Dennis shows how a similar technique can bring a simple percussion pattern to life, replicating the sorts of organic variations that happen with real players.


http://createdigitalmusic.com/2009/04/14/a...ove-extraction/

Continuing our growing collection of Live 8 video tutorials, our friend Bjorn of Covert Operators sends over a terrific tutorial on making use of the vocoder. Now, unlike the "misuse" tutorials we've been running, this is actually how this effect is designed to be used. On the other hand, if you're still interested in misuse – and you're not terribly interested in conventional effects – this can be a great way to wrap your head around the tool's proper function, before you start warping it in another direction.

I think it'll be fantastic having a vocoder ready to use, and if you haven't played with a software vocoder, Live 8 should be a nice place to start. If any of you take this in another direction, do let us know.

Covert Operators has a whole bunch of downloads, tips, and tricks some available cheap, some free.



Encounters for Live 8 looks especially interesting. It's a Live Pack intended specifically for performance and DJing, with some interesting bits and pieces:

• 25 Arpeggiator racks
• 40 effect racks geared for live playing – with some specifically designed for Live 8
• 50 Groove presets, taking advantage of Live 8's new groove extraction
• 100 Dummy Clips for triggering automation

That's the first time I've seen a download of Dummy Clips. Trigger these, and you can control other instruments, audio, and effects using dynamic envelopes. If that starts to piqué your interest, the Covert Operators have done a tutorial on how to use these clips

http://createdigitalmusic.com/2009/04/29/e...lips/#more-5754

Dies ist der erste von zwei Teilen, in dem es um die Bedienung von Ableton Live geht. Der heutige Teil richtet sich eher an Einsteiger, die Tutorials des morgigen 2. Teils richten sich an fortgeschrittene Einsteiger. Also unbedingt nochmal reinschauen.

• Teil 1: Arrange & Session Views
• Teil 2: Panning Drums
• Teil 3: Clip Playback Automation
• Teil 4: Effect Rack
• Teil 5: Sidechain Compression

Die Videos stammen von (IMG:http://www.musotalk.de/typo3/sysext/rtehtmlarea/res/accessibilityicons/img/external_link_new_window.gif) Primeloops.com.




quelle: http://www.musotalk.de/best-of-youtube/vid...tricks-part-12/

DANKE harry wirklich die beste Lektüre zum Thema Arrangieren die ich jemals gelesen habe.
Vereinfacht mir in Zukunft meine Arbeit an meinen tracks sicher enorm.

(IMG:style_emoticons/default/hah.gif)

Dies ist der zweite von zwei Teilen, in dem es um die Bedienung von Ableton Live geht. Der heutige Teil richtet sich an fortgeschrittene Einsteiger, Basiskenntnisse werden vorausgesetzt (mehr dazu im 1. Teil von gestern).

• Teil 1: Sidechain Gate
• Teil 2: Sidechain Autofilter Effects
• Teil 3: Arpeggiator
• Teil 4: Reverse Vocal Effect
• Teil 5: Clip Envelope Modulation

quelle: http://www.musotalk.de/best-of-youtube/vid...tricks-part-22/